du 2 au 10 juillet 2010
(Feature films: dramatic narratives and documentaries)

Pour les films de FICTION de plus de 70 MINUTES et
pour les DOCUMENTAIRES de plus de 60 MINUTES

SÉANCE DE SÉLECTION CANADIENNE À MONTRÉAL
Du 29 au 31 mars 2010

TÉLÉFILM CANADA ACCEPTE LES SOUMISSIONS AU NOM DU FESTIVAL
POUR LES SÉANCES DE SÉLECTION À MONTRÉAL
Date limite d’inscription à Téléfilm Canada
Le lundi, 22 mars 2010

Le Festival international du Film de Karlovy Vary, un des plus importants festivals de compétition au monde, accepte présentement les inscriptions pour sa 45e édition : www.kviff.com.

Classé catégorie " A " par la FIAPF et le principal festival de films compétitifs en Europe centrale et en Europe de l'Est, le Festival représente un événement phare du calendrier des festivals internationaux. Respecté pour son excellente programmation et l'efficacité des services qu'il offre aux invités et à l'industrie, le Festival attire un nombre grandissant de dépisteurs et de distributeurs de films.

Depuis sa création en 2003, le Bureau de l'industrie offre une gamme de services et d’activités à quelques 800 producteurs, acheteurs, distributeurs, agents de ventes, représentants de festivals et institutions cinématographiques. Outre sa relation stratégique avec Variety, le festival jouit d'une importante couverture de presse (environ 550 journalistes nationaux et internationaux). Un intéressant groupe de professionnels de l'industrie d'Europe et d'Asie y assistent, dont plusieurs sont à la recherche de coproducteurs internationaux.

Le Festival attire un auditoire de plus de 135 000 personnes, en majorité composé de jeunes cinéphiles reconnus pour leur enthousiasme et qui contribuent grandement aux recettes-guichet locales.

Information et procédure d'inscription (59 Ko)
Formulaire - séances de présélection (188 Ko)

Date limite d’inscription à Téléfilm Canada : Le 22 mars 2010

Inscrivez votre film via eTelefilm
En seulement quelques clics, il est désormais possible d’inscrire votre film à nos séances de présélections festivals au cours de l’année. Ce nouveau processus d'inscription en ligne vous fera économiser du temps et du papier!

Si vous êtes un utilisateur inscrit à eTéléfilm, cliquez ce lien.

Si vous n’êtes pas encore un utilisateur, nous vous encourageons fortement à vous inscrire à ce service en ligne, sûr et convivial qui deviendra la norme pour les séances de sélection dans un proche avenir.

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Si des contraintes de temps vous empêchent de vous inscrire via eTéléfilm, veuillez soumettre une version papier du formulaire d'inscription de Téléfilm Canada via karlovyvary2010@telefilm.gc.ca. Veuillez consulter la section 2 du document INFORMATION ET PROCÉDURE D'INSCRIPTION (voir le lien ci‑dessus).

Pour toute information supplémentaire au sujet du Karlovy Vary Film Festival, communiquez avec Brigitte Hubmann (hubmanb@telefilm.gc.ca) au 514-283-6363, poste 2034 ou 1-800-567-0890.

Pour toute assistance avec le processus d’inscription de votre film, communiquez avec Lélia Robert (karlovyvary2010@telefilm.gc.ca) au 514 283-6363 poste 2129 ou 1-800-567-0890.

Développement des affaires nationales et internationales
Téléfilm Canada, Montréal
514 283-6363

2010/2011 Open Call for Submissions

Deadline: Monday, March 22, 2010 at 5:00PM.

Video Pool invites submissions for the 2010/11 programming season. We are striving to exhibit projects that challenge the boundaries of media art. This can include:

• New media
• Experimental electronics/hacking of electronics
• Installation (with media components)
• Sound art
• Single-channel video that would be appropriate as an installed exhibition
• Curatorial packages (with media components)
• Web 2.0 technology
• Mobile devices
• Open source technology

Video Pool is particularly interested in projects that intervene in public space or otherwise make use of non-traditional exhibition settings, including the online world.

Submission Requirements

(Please note that due to funding requirements, primary consideration will be given to Canadian citizens.)

All Submissions Must Include:

1 Artist/curator CV including current contact information (mailing address, telephone number, and e-mail address)

2 A short description of the proposed project or video(s), including an outline of the critical and/or curatorial objectives of the work submitted.
TWO PAGE MAXIMUM

3 Names of all participating artists.

4 Titles of all proposed projects/videos, as well as year of completion and city of origin.

5 Exhibition history of each project, including a description of contexts within which the work will be presented in the coming year.

6 A statement indicating if the artist(s)/curator(s) plan to be in attendance with the work and, if so, in what capacity they would expect to participate in the screening/exhibition. Proposals for workshops and other development activities are especially encouraged.

7 Support material: Please do not send originals as Video Pool will not accept responsibility for the loss of, or damage to, any support material.
Still images should be submitted on CD (maximum 20 images, .jpg preferred, please do not exceed 72 dpi or a resolution of 1024 X 768 pixels)
Video support material should be NTSC and submitted on VHS, DVD, or Mini DV
Audio support material should be submitted on CD.

8 Complete list of all audio, video, and images submitted.

9 Please include a SASE if you would like your support material returned.

Video Pool is committed to reflecting cultural diversity in its programming and thereby encourages applications from artists and curators from underrepresented communities.

Video Pool encourages the submissions of projects that are already complete or near completion.

Exhibition fees are paid in accordance with the IMAA/CARFAC rate scale (whichever is appropriate).

Please Direct Enquiries to:

Przemek Pyszczek, Programming Coordinator
vpprogramming@videopool.org

Please Send Submissions to:

2010/2011 Call for Submissions
c/o Video Pool Media Arts Centre
300 – 100 Arthur St.
Winnipeg, MB R3B 1H3
Canada

All submissions must be received by the deadline: Monday, March 22, 2010 at 5:00PM. No late submissions will be accepted.

WHO: All film and videomakers
WHAT: Call for entries for the Festival of (In)appropriation
WHEN: Entries must be received by May 15, 2010.
WHERE: Send submissions to Jaimie Baron, 10480 National Blvd. #308, Los Angeles, CA 90034
PRESENTED BY: Los Angeles Filmforum

Santa suit in July? Brussel sprouts for breakfast? Cat in the bathtub? Fish on a bicycle? All of these things are possible, but they are just “not done.” At least, in our view, not often enough! Of course, the notion of what is “appropriate” always depends on context – the right time and the right place. What is permissible in one context may not be so in another. Indeed, the “inappropriate” is all about what is in the “wrong” place and at the “wrong” time, which is exactly where we think it should be. Mash-up, machinima, remix, collage, compilation, found footage, détournement – these terms all refer to films and videos that tear materials from one (con)text and place them in another, constantly questioning the limits of what is “appropriate. ” At its best, this act of (in)appropriation may produce revelation that leads viewers to reconsider the relationship between past and present, here and there, truth and lie, intention and subversion.

With that idea in mind, Los Angeles Filmforum invites submissions for the 2010 Festival of (In)appropriation – our third festival! We are open to all works that appropriate film or video footage and repurpose it in “inappropriate” ways. We will consider both films and videos, including works that are made up entirely of found footage and those that only use small segments of appropriated material. We are especially interested in – but certainly not limited to – films that put history into question and films that explore the ways in which digital technologies are reconstructing our relationship to preexisting audiovisual materials. Particular consideration will be given to films that repurpose materials in an inventive way and to films that are under 20 minutes long. We will only accept work finished in 2008 or later.

The Festival of (In)appropriation will take place at in Fall 2010, specific date TBA.
Curated by Jaimie Baron and Madeleine Gallagher.

Guidelines:
• Submission deadline: May 15, 2010
• Please send all submissions in DVD format to: Jaimie Baron, 10480 National Blvd. #308, Los Angeles, CA 90034
• Submissions must be 20 minutes or less and must contain some form of “(in)appropriation. ”
• Acceptable submission formats: DVD and VHS
• Acceptable exhibition formats: mini-DV, DV-Cam, 16mm film, 35mm film, DVD (but discouraged, since DVD is not a reliable projection medium).
• Please include: title, filmmaker, running time, a 30-word or less synopsis, and contact information (phone and email).
• No submission fee, but please send only good films!

Los Angeles Filmforum is the city’s longest-running organization dedicated to weekly screenings of experimental film and video art, documentaries, and experimental animation.

16th to 24th July 2010.

A very important event with two international competitions:

Cinema d’Arte, referred to the works inspired to Arts in general, without limits of length,
Sottoventi, reserved to the free subjects maximum duration of 20 minutes.

Here attached you will find find all the informations to enter your movies for the Competitions.

Festival internazionale del cinema d’arte
24122 Bergamo - Via Zelasco, 1
Italy
Tel. 035.237323 - Fax 035.224686

Call for entries
Deadline: 25 July 2010

Going Underground 9
9th International Subway Film Festival Berlin
08. – 14. September 2010

Main Competition:

From the 8th until the 14th September 2010 Berliner Fenster in co-operation with interfilm Berlin will run the 9th International Short Film Festival for ‘Ultra Shorts’ in Berlin’s underground trains. On over 4,000 monitors in Berlin subways, 1.6 million passengers turn into an underground movie audience for one day, and can vote for their favorite of the 14 films.

The three winning filmmakers will be rewarded with prizes of:

1. Prize 3,000 EUR
2. Prize 2,000 EUR
3. Prize 1,000 EUR

Application & Entry Information:

Application deadline is the 25th of July 2010.
Entries for the competition must be no longer than 90 sec., they must be silent and free of extreme violent or obscene content.

Send entries to:

interfilm Berlin
Going Underground 9
Tempelhofer Ufer 1A
10961 Berlin / Germany
Fon/Fax: 0049 - (0)30 - 693 29 59 or - 25 29 13 22
e-mail: interfilm@interfilm.de

17-19 June 2010 - Lausanne /Switzerland

The Time Film Festival is an international competition of short films of less than 12 minutes. It’s a free open air festival projected on the Flon Esplanade, the new and innovative town center of Lausanne, Switzerland. In 2010 the fourth edition will take place on 17th, 18th and 19th June.

The purpose of the festival is to present a varied selection of quality works. It’s also an occasion to unite international directors with an interested audience, allowing exchange between cultures from near and far.

Resolutely modern, the Time Film Festival is a reflection of the contemporary cinematographic culture and its new trends, attracting cinema lovers and professionals eager for vivid and varied emotions.

The films selected for the competition by the official committee are rated according to their professionalism, and hav to match quality standards for contents, form and technical mastery.

There are four categories :

less than 1 minute

less than 3 minutes

less than 6 minutes

less than 12 minutes

Humour, distress, irony and tenderness… countless emotions will come alive during the Time Film Festival !

Jury

The official Jury consists of five personalities established in the world of cinema and culture.
The members of the Official Jury will be revealed in the course of May 2010.

For each of the three categories, the jury elects a winner. The Time Film Festival organisation gives out prizes for a total value of CHF 10′000 / € 6500.

The special award will be given to the best realisation of all three categories. In addition, an honorary Audience Award is designated to reward the short film, of any category, which charmed the spectators the most through its emotion or passion…

www.timefilmfestival.ch
info@timefilmfestival.ch

TIME FILM FESTIVAL 2009
CASE POSTALE 7556
1002 LAUSANNE
SWITZERLAND

L'ONF et l'APTN s'associent dans le cadre d'un projet de minisérie

MONTRÉAL — Le Programme français de l'Office national du film du Canada (ONF) et le Réseau de télévision des peuples autochtones (APTN) lancent conjointement, pour la première fois, un appel de projets aux maisons de production autochtones francophones afin de développer, en coproduction, six demi-heures documentaires pour la télévision destinées aux jeunes adultes de 18 à 35 ans.

Les producteurs désireux de participer doivent soumettre leur dossier d'ici le vendredi 19 mars 2010.

Pour être admissibles, les projets doivent, entre autres, être réalisés par un ou des Autochtones. Ils doivent également comporter un volet interactif destiné aux plateformes numériques, pour lequel l'ONF offrira une expertise conseil, et un volet formation sous forme de stages en production à l'intention de la relève autochtone.

Les stagiaires seront intégrés à l'équipe du projet, et ce, à chacune des étapes de la production, du développement jusqu'à la postproduction. La sélection des stagiaires se fera conjointement par l'ONF et le producteur choisi, et leur rémunération sera assurée par l'ONF sur une période de trois à six mois.

La directrice générale du Programme français de l'ONF, Monique Simard, a indiqué par voie de communiqué que cette première collaboration entre le Programme français de l'ONF et APTN permettra d'encourager la créativité des professionnels et de la relève autochtone en audiovisuel.

Copyright © 2010 The Canadian Press. Tous droits réservés.

AVAILABLE LIGHT SCREENING COLLECTIVE: APPEL DE PROPOSITIONS DE PROGRAMMATION POUR LA SÉRIE AUTOMNE 2010 - ÉTÉ 2011

Available Light Screening Collective (appelé couramment AL) est une organisation bénévole d'Ottawa, en Ontario, qui a pris l'engagement de programmer et de présenter des œuvres vidéo et des films expérimentaux dans la collectivité locale. Depuis sa création en 1995 en tant que groupe de production de films Super 8, AL fonctionne à la manière d'un collectif d'artistes non constitué en personne morale, une forme de gouvernance démocratique et flexible en harmonie avec le caractère changeant des œuvres médiatiques expérimentales dynamiques qu'il se voue à présenter.

Available Light Screening Collective est actuellement à la recherche de propositions écrites de projets de programmation pour sa saison 2010-2011. La série commencera au début de septembre 2010, et la majorité des programmes seront présentés à son principal lieu de projection à Ottawa, à Club SAW de la Galerie SAW Gallery. Les propositions d'autres lieux de projection dans la région, y compris les sites en plein air, seront également prises en considération. Des honoraires professionnels seront versés au conservateur et un cachet remis à chaque artiste pour chaque œuvre projetée une fois que le projet aura été mené à bon terme.

Veuillez faire parvenir vos propositions écrites accompagnées d'un curriculum vitæ à jour et d'une lettre de présentation D'ICI LE 31 MARS 2010 à :

Available Light Screening Collective
A/S Cour des Arts
2, avenue Daly
Ottawa (Ontario) Canada
K1N 6E2

Au moment de préparer leurs demandes, les candidats retenus devraient prendre en compte les buts actuels d'Available Light Screening Collective : programmer et présenter régulièrement des œuvres vidéo et des films expérimentaux auxquels n'auraient autrement pas accès les publics de la région de la capitale nationale; fournir un contexte discursif et un forum de discussion sur les médias expérimentaux temporels et la culture artistique d'autogestion; encourager et appuyer les conservateurs canadiens du film expérimental et des œuvres vidéo, en particulier au sein de la communauté artistique d'Ottawa; mettre à la disposition des publics, actuels et nouveaux, les œuvres d'arts médiatiques temporelles; projeter les œuvres d'artistes locaux aux côtés de celles d'artistes nationaux et internationaux; créer des ponts thématiques entre les divers médias temporels et raviver l'intérêt pour les œuvres historiques en les jumelant à des œuvres contemporaines; établir des liens de collaboration et des projets avec des organisations artistiques d'autres régions de la province et du pays, en particulier avec les organismes autogérés de diffusion d'œuvres artistiques; et rémunérer convenablement les artistes et les conservateurs pour leur travail professionnel.

Pour obtenir des renseignements supplémentaires, communiquez avec AL par courriel à : availablelightcollective@gmail.com

Available Light Screening Collective est reconnaissant au Conseil des Arts du Canada, au Conseil des arts de l'Ontario et à la Ville d'Ottawa pour le financement accordé à ses projets.

Filmmakers, young and old, established and aspiring, are invited to submit 90-second silent videos to the Every Day Heroes Film Competition.

Canadians are doing amazing things to reduce their impact on the environment in large and small ways. Inspire Canada this Earth Day. Tell the 90-second story of your every day environmental hero and their dedication to the support of a healthier environment.

Jury Members: Judy Gladstone (Executive Director of CTV's Bravo!FACT), Jennifer Baichwal (award winning Documentary filmmaker; director of Manufactured Landscapes), Sharon Switzer (Executive Director of Art for Commuters), and Keith Treffry (Director of Communications, Earth Day Canada).

Prizes will be awarded in four categories:

* Best of ‘Under 18’ years of age—13 inch MacBook Pro
* Best of ‘Over 18’ years of age—13 inch MacBook Pro
* Best of Competition—Two economy airline tickets to any destination in North America with two nights hotel accommodation AND two tickets to the Earth Day Canada Gala, including travel to Toronto and hotel accommodation for the nights of June 8th and 9th, 2010
* The People’s Choice Award—Bose SoundDock Portable Digital Music System.

Finalists will have their films seen by over two million people in Ivanhoe Cambridge Shopping Malls across Canada, and on the Onestop Network of 270 monitors on the subway platforms of the Toronto Transit Commission. They will also be hosted on Earth Day Canada’s website and YouTube channel.

You must be living in Canada to enter. We encourage all genre of film, video, and animation, and accept subtitled work.

SUBMISSION DEADLINE is March 15, 2010.
Submissions received prior to February 15, 2010 will be entered into the raffle to win a Panasonic 60GB HDD/SD Camcorder.

Visit www.earthday.ca/film for more details and submission form.

Co-produced by: Earth Day Canada, Onestop Media Group and Art for Commuters.

Questions, comments or concerns about submission status, contact Reid Bodley, Communications Coordinator at reid@earthday.ca or 1.888.283.2784 ext. 201.

For media inquiries contact Keith Treffry, Director of Communications at keith@earthday.ca or 1.888.283.2784 ext. 107.

The National Museum of the American Indian is now accepting submissions for the 15th Native American Film + Video Festival which will be held in New York City from March 31-April 3, 2011.

The Festival seeks submissions of all genres in film and video that represent Native perspectives of the Americas.

2011 NATIVE AMERICAN FILM + VIDEO FESTIVAL
The Film and Video Center of the Smithsonian National Museum of the American Indian seeks submissions for the 15th Native
American Film + Video Festival to be held in New York City, March 31—April 3, 2011. The Festival features films and video
productions of all genres from North, Central and South America, and Hawai’i. It showcases productions by Native media makers,
as well as community projects, broadcast productions, and other works reflecting Native perspectives, and brings together
participants from the four directions for screenings, workshops and special events. All programs are free to the public.

SUBMISSION DATES
All Deadlines are Postmark Dates.
Submissions Open: January 4th, 2010
Submissions Deadline: June 3rd, 2010

ELIGIBILITY
Works must have been completed after July 2008

SUBMISSION GUIDELINES
Each entry must include all the required items listed below. Entries missing any of the elements below may not be considered for
selection. For entries that are Works-In-Progress, please provide a letter stating when the expected completion date will be and
when press materials will be sent. Note: We do not return submission preview copies. NO ENTRY FEE IS REQUIRED.
 Completed Submission Form.
 Two DVD copies must be submitted for each film or video work. Entry copies will not be returned.
 Official screening copies (Beta SP, DVD or quality digital video) must be submitted within four weeks of acceptance notice.
 Press materials, including photography and filmmakers’ information. Filmmakers’ information includes contact information,
biography, filmography, membership(s) in media organizations and tribal or indigenous community affiliation.
 Completed Agreement Form.

MULTIPLE SUBMISSIONS
When submitting more than one work, each title must have its own Submission Form, Agreement Form, DVDs. Do not
send a compilation DVD.

SELECTION
The selection team of the Festival will select and invite all productions and media-makers at their discretion. Those selected will
be notified via e-mail, regular mail, and/or phone on or about October 29, 2010. Please do not call for the status of your entry.
Entries not selected will be notified via regular mail on or about November 8, 2010. If you have an inquiry outside of your
entry status, please send your questions by e-mail at NAFVF@si.edu or fax to (212) 514-3725.

SHIPPING
All submissions must be sent prepaid including any applicable customs fees to:

15th Native American Film + Video Festival
Smithsonian National Museum of the American Indian
One Bowling Green
New York, NY 10004
Tel: (212) 514-3737

Works will be chosen by a selection team made up of Native American media makers and cultural activists and the program staff
of the Film and Video Center.

Suite au succès de la première édition (254 inscrits du monde entier, plus de 150 œuvres réalisées), pour son onzième festival (mai 2011), la Biennale Internationale des Poètes (11 rue Ferdinand Roussel 94200 Ivry-sur-Seine France), lance une deuxième édition de son concours international de poésie-média. en partenariat avec Radio Aligre, la revue Poptronics, Le Cube, La Maison de la poésie de Paris, XLR-project.
 
Sera considérée comme poésie-média toute œuvre mettant les technologies contemporaines au service de la poésie que ce soit dans le cadre d'une performance ou dans celui d'une œuvre enregistrée et projetable : vidéo-poésie, poésie numérique, poésie multimédia, poésie sonore, poésie interactive, installation poétique sur site Internet ou dans un espace quelconque, etc. Ne seront toutefois pas considérées comme telles des œuvres qui ne seraient qu'illustratives comme la mise en musique ou en image de textes poétiques. Les thématiques et les formes utilisées sont libres.
 
L'œuvre présentée ne devra pas excéder une durée de 15 minutes et devra àtre présentée au concours sous forme d'enregistrement sur un site Internet ou sur un site collectif comme Youtube ou DailyMotion.
 
Inscription : les candidats au concours devront déclarer par mail leur intention de participation avant le 31 mars 2010 à l'adresse suivante : media-poesie@biennaledespoetes.fr
 
La remise des œuvres devra intervenir avant le 31 décembre 2010 en communicant l'adresse Internet du site à l'adresse mail ci-dessus.
 
Un jury constitué d'une dizaine d'artistes internationaux (voir liste ci-dessous) examinera les œuvres et attribuera le prix Poesie-media 2011 ; le remise du prix s'effectuera à Paris dans le cadre du festival lors d'une journée consacrée à la poésie-média ou dans un autre lieu du Val-de-Marne.
 
Le lauréat du prix sera invité à Paris une semaine, tous frais payés, pour la onzième biennale.
 
Les artistes participants s'engagent à autoriser la présentation publique des œuvres créées dans le cadre du concours mais, sauf accord spécifique contraire, en conservent l'entière propriété.

Khyber ICA presents an exhibition of digital video and animation by Nova Scotian and international artists to
be hosted by VIA Rail on its Ocean Limited run between Halifax and Montreal from June to October, 2010.
During the summer months VIA passengers will be able to watch the reel on the flat-screen equipped trains. In
addition, VIA's Panorama Lounge in Montreal will screen the exhibition for the duration of the onboard show.
Trains revolutionized the nineteenth century, their power and efficiency allowed for the development of cities
and towns across the formerly inaccessible far-reaches of the North American wilderness. Today, they allow
passengers to appreciate this vastness as an integral part of the travel experience. Trains are at once effortless
and formidable, qualities that reflect the character of the Canadian landscape and contribute to the allure of the
rails.

Making Tracks seeks to expand the audience for contemporary art in Canada. By engaging viewers as they actually embark we hope to create a unique dialogue between the works of art and the traveler's experience.

Criteria
The selected submissions must consider trains in some way and be no longer than 15 minutes in length. Half of
the work selected will be from artists living in Nova Scotia. We encourage submissions that take into account
the way the show is being exhibited. The exhibition will run on the public presentation system onboard VIA
Rail, so all works must be in accordance with a General Rating. The jury will be composed of professional artists
from various disciplines. Artist fees will be paid.
Deadline for submissions is April 15th, 2010.

Submissions should be sent on DVD to:
Making Tracks
Khyber ICA
1588 Barrington Street
Halifax, Nova Scotia
Canada
B3J 1Z6
902-422-9668

Seeking video work for a project curated by Suzanne Carte-Blanchenot & Su-Ying Lee taking place in May/June 2010. This is an experiment between curators, artists and audience.

Your DVD will be loaned to anyone who wishes to borrow it from our "video rental store".

Please be aware that this will work on the honour system and you may not receive your work back. Customers will pay whatever they wish - including payment accepted in the form of a non-monetary exchange. Whatever fee is collected for your work, will be given to you.

We are accepting work on DVD immediately
-Any duration
-Send an accompanying image to represent your title
-Label your work with title, duration, artist's name
-A brief synopsis
-Work will be loaned to the general public. It is crucial that you note if your title contains any explicit language, nudity, sex or violence. This will not prevent your title from being selected for inclusion. This information will be used to make our "customers" aware of content.
-Deadline April 30, 2010

Mail submissions to:
MUSE
11-1463 King St. W
Toronto, ON M6K 1J4
Canada

Inquiries can be directed to leesuying@hotmail.com

VideoFACT is pleased to announce new deadlines for the foundation’s 2009/2010 fiscal year. Deadlines for both the VideoFACT and the PromoFACT programs are as follows:

September 3, 2009 11:59pm EST
October 22, 2009 11:59pm EST
January 7, 2010 11:59pm EST
February 25, 2010 11:59pm EST
April 22, 2010 11:59pm EST
June 10, 2010 11:59pm EST

VideoFACT is funded entirely by MuchMusic, MuchMore and MusiquePlus, and provides production grants towards Canadian independant music videos. PromoFACT is funded entirely by MuchMore and provides production grants towards web sites and EPKs for Canadian independent artists who fall into genres likely to be programmed by MuchMoreMusic.

To apply for funding, please visit http://apply.videofact.ca

For more information, contact info@videofact.ca